CEDAR DNS One... "Die Kosten sind nicht hoch, die gesparte Zeit ist unbezahlbar."Sebastian Penno, Music Audio Recording Concepts, Deutschland, Juli 2010.
CEDAR DNS One... "Die Kosten sind nicht hoch, die gesparte Zeit ist unbezahlbar."
Sebastian Penno, Music Audio Recording Concepts, Deutschland, Juli 2010.
"CEDAR Cambridge systems ist erste Wahl."
André Huthmann, Managing Sound Engineer vom Deutschen Rundfunk Archiv, April 2009.
"Nichts bietet eine effizientere, schnellere und mit weniger Artefakten behaftete Rauschunterdrückung, als mein DNS1500."
Arturas Pugaciauskas, AP Sounddesign, März 2009.
"CEDAR Cambridge wird... jeden Tag mit hervorragenden Ergebnissen im Bereich der Bekämpfung der organisierten Kriminalität und Nationalen Sicherheit eingesetzt."
Sprecher der West Midlands Police, UK, Juli 2008.
"höchste Leistungsfähigkeit"
Paul Cotterell, LipSync Post, Juni 2008
"der Goldstandard bei der Rauschunterdrückung"
Rob James in Resolution, September 2007.
"... no company has done so much for audio restoration... no-one challenges the leadership of CEDAR
"
Dieter Kahlen im Studio Magazin, Januar 2007.
"Wow! You have made my day, and that of my clients. In a word - superb!"
Jim Rabchuk of Audiobec, Canada, July 2005.
"There are times when the crew are able to avoiding shooting any ADR by using the CEDAR Cambridge and CEDAR DNS2000..."
Brian Slack of Widget Post, USA, in Post magazine, June 2005.
"My new best friend"
Scott Weber, dialogue and music editor for ABC's "Lost", in Mix magazine, May 2005.
"Phenomenally effective noise reduction"
Hugh Robjohns, in Sound On Sound, May 2005.
"It's unbelievable. The things it can remove, it's almost scary."
George Meyer of Howard Schwartz Recording, interviewed in Post magazine, April 2004.
"Cambridge gives you a far superior sounding end result, ... and it is streets ahead in versatility and processing power"
Denis Blackham - Skye Mastering, in Resolution, October 2003.
"... low-cost software packages are toys in comparison."
Lee Leng Kok, Ancient Sound Restore, Singapore; in Pro Audio Asia, December 2003.
"CEDAR is in serious danger of becoming a generic term like Hoover or Biro."
Rob James, Studio Sound, January 2001.
"... a blinding bit of kit ... a killer product."
Mike Aiton-Browne of Molinare Studios in Audio Media, December 2000
"... a mastering engineer's dream. "
"...well-crafted, powerful tools for the serious audio restorer or archivist."
George Petersen, Mix, October 1994.
"CEDAR has greatly contributed to the unique restorations that
we can achieve at Abbey Road... three Gramophone Awards and two Grammy nominations."
Andrew Walter, EMI Abbey Road Studios, London
"... a striking appearance of uncompromising quality."
Dave Foister, Studio Sound/MDR, November 1994.
"CEDAR removes the disturbances but keeps the sound genuine."
Wolfgang Martens, Technical Director, Sonopress, Gutersloh
"If you have been searching for a set of very high-calibre noise reduction tools,
look no further. The CEDAR system fits the bill with flying colours."
David Frangioni, EQ Magazine, July 1998
"We use CEDAR almost every day. It's the quick effective way to solve awkward problems."
Simon Heyworth, Senior Engineer, CEO Mastering, London.
"Amazing!"
Simon Gibson, March 2002
"Essential"
Rob James, Studio Sound, January 2001
"Awesome! ... simply astounding."
David Frangioni, EQ Magazine, July 1998
"...a miracle box!"
Dr. Frederick J. Bashour, Pro Audio Review, August 1999.
"... a magic wand once thought impossible."
Dave Foister, Studio Sound/MDR, April 1994.
"Apparently irretrievable hum-ridden disasters were completely salvaged"
Dave Foister, Studio Sound, June 1998.
"... fixed problems that, to some, may seem irreparable."
Richard Lescallette, Audio Media USA, May 1998.